Natsumi Sugiyama

© Natsumi Sugiyama / 杉山夏実

Natsumi Sugiyama is an artist
whose practice inquires into
how environments are experienced, remembered and transformed,
through installation, moving image and drawing.

Archive

Medium
Method
  1. 2026Content Structure: Language App for Childrenapp content, visual content, workshop composition
  2. 2025Portraits of (Places)mixed media object, exhibition
  3. 2025Multimedia Illustrationmobile app content, visual production
  4. 2025–2026Visual Identity for a Podcasteditorial graphic
  5. 2025Information Graphics: FintechInfographic, Content Operations
  6. 2025–2026Multilingual Content Localisation SupportContent Operations
  7. 2024Why (& Where) Do I Need to Draw?editorial design, technical coaching, booklet
  8. 2023Educational Content: Haikumobile app content, visual production
  9. 2023Educational Content: Kanjimobile app content, visual production
  10. 2022Recollections of Beyondinstallation, video
  11. 2022–2024Educational Content: Philosophymobile app, drawing, video
  12. 2021–2024Mobile App: UX and Art Directionmobile app, video
  13. 2021Website Graphicswebsite design
  14. 2020In-Between Places and Humanstext, field research
  15. 2019Scenery of De/Museumizationinstallation, exhibition
  16. 2019Exhibition Graphics for a Group Exhibitionwebsite, exhibition, installation
  17. 2018–2019IMAGINARY BAUHAUS MUSEUM
  18. 2017Field Notes of Topophiliatext, field research
  19. 2017StadtGestaltunginstallation
  20. 2017Pigment Floor Drawinginstallation, exhibition
  21. 2017Missing Sculpturebook design, bilingual layout
  22. 2017Un/Sounds of Buchenwaldbooklet design
  23. 2017–2021Untitledfield research, participant observation
  24. 2016Sceneriesfield research, photography
  25. 2016Phenomena, and Symbols of Persuasionmixed media object, drawing, exhibition
  26. 2016A Dot on a Line, Replaced and Continuingdrawing, photography
  27. 2015Unerased Remindersinstallation, drawing, exhibition
  28. 2015Landscapes Narrativesfieldwork, field research, exhibition
  29. 2015YOU SAY ART I SAY WHATbooklet design, editorial design
  30. 2015There is an Exhibition in Prison. It is Called CRACK.booklet design, editorial design
  31. 2015Logo Design for an Art Projectlogo design
  32. 2014Roppongi, Paralleleddrawing, interview
  33. 2014About Another's Toposdrawing, field research
  34. 2014Notation of Topos Phase. 0publication, zine
  35. 2013About My Toposinstallation, drawing, field research, exhibition
  36. 2013–2014Hands-on Art Workshop for a Kindergartenworkshop
  • Why (& Where) Do I Need to Draw?, 2024

    Why (& Where) Do I Need to Draw?

    Noor us Sabah Saeed

    2024 · Goldrausch Künstlerinnenprojekt, Berlin · 16 pages · English

    Editorial design and technical coaching within the artist's practice. Part of Goldrausch Künstlerinnenprojekt, a professional programme for women artists in Berlin.

  • In-Between Places and Humans, 2020

    In-Between Places and Humans

    2020 · 229 pages · Japanese

    Examines the relationship between places and people through field research and projects in various locations. Practice-based doctoral dissertation, Graduate School of Fine Arts, Design, Tokyo University of the Arts.

  • Field Notes of Topophilia, 2017

    Field Notes of Topophilia

    2017 · 63 pages · English

    An essay based on field research that takes apart places, environments and their memories in order to think about them.

  • Missing Sculpture, 2017

    Missing Sculpture

    Danica Dakić

    2017 · Verlag für moderne Kunst, 2018 · 152 pages · ISBN 978-3-903228-44-3 · English, German

    Catalogue of the contemporary artist's work. Bilingual English/German layout. Published by Verlag für moderne Kunst (Vienna).

  • Un/Sounds of Buchenwald, 2017

    Un/Sounds of Buchenwald

    2017 · English

    Booklet for an art project at the site of a former concentration camp: a bricolage of resin enclosing rose leaves from the site, holding the sound works.

  • A Dot on a Line, Replaced and Continuing, 2016

    A Dot on a Line, Replaced and Continuing

    2016 · 25 pages

    An illustrated archive of observations of everyday spaces in a historic apartment building. (Weimar, Germany)

  • Unerased Reminders, 2015

    Unerased Reminders

    2015 · 6 pages

    Observes the traces left in a former youth detention centre and follows, in drawings, what the acts behind them meant. The booklets were installed in the small library inside the prison. (Weimar, Germany)

  • YOU SAY ART I SAY WHAT, 2015

    YOU SAY ART I SAY WHAT

    2015 · MFA Public Art and New Artistic Strategies, Bauhaus-Universität Weimar (distribution: VERLAK) · 95 pages · ISBN 978-3-00-050776-2 · English, German

    Book design for an art project. Bilingual, English/German.

  • There is an Exhibition in Prison. It is Called CRACK., 2015

    There is an Exhibition in Prison. It is Called CRACK.

    2015 · MFA Public Art and New Artistic Strategies, Bauhaus-Universität Weimar · 60 pages · English

    Catalogue design for an exhibition project in the former youth detention centre in Weimar, Germany.

  • Notation of Topos Phase. 0, 2014

    Notation of Topos Phase. 0

    2014 · 東京藝術大学大学院 美術研究科 デザイン専攻 視覚・伝達研究室 · Japanese

    A zine based on About My Topos, from the zine series Noboru. Published by the Visual Communication Design Lab, Design, Graduate School of Fine Arts, Tokyo University of the Arts.

  • About My Topos, 2013

    About My Topos

    2013 · 26 pages · Japanese, English

    A booklet on an installation that analyses and recomposes experiences of an environment in the suburbs of Tokyo.

The bookshelf is being adjusted for phones. For now it is best viewed on a computer.

Selected exhibitions

    About

    Natsumi Sugiyama is an artist whose practice examines how environments are experienced, crossed and transformed, drawing on movement across borders, marginalised presences and under-recorded narratives. Working through editorial methods, she composes this work as installation, moving image and drawing. Between 2013 and 2020 her work centred on narratives of place, developed through fieldwork; it now turns to narratives in flux, recomposed across borders.

    Born in Tokyo, based in Berlin (as of 2026)
    POLA Art Foundation Overseas Research Grant (2017)

    2020
    PhD, practice-based, Tokyo University of the Arts
    2017
    MFA, Public Art and New Artistic Strategies, Bauhaus-Universität Weimar
    2013
    MA, Design, Tokyo University of the Arts
    BA, Environmental Design, Tama Art University

    Studio

    Her design practice is carried out as nat/yama.

    Contact

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